Keith Roost                                                

Grand master Cheng Ting Hung in action
The Grand master of Wu Dang Tai Chi Chuan, dealing firmly with some hard style opponents,
Courtesyof our Belgian colleagues.

Combining Yin with Yang
When  Grand Master Chee Soo decided to go into semi retirement in Wales(circa 1991), it was a signal moment for me.

I had been studying his system for well over a decade and a half, but for some time had been frustrated at the growing internal politics of the association, the unorthodox theories and history, and my own intuition that I was missing "something" 
I had been investigating other systems and teachers for some time, but found nothing that really challenged me, or the skills I had acquired.
This was how I came to the Wu Dang Style and Dan Docherty, through him I found a complete system, open explanations, and a style that not only worked from a martial perspective (just as effectively as Chee Soo's Li style did) but provided the Yang side to compliment the Yin of Li style, backed up with proven lineage. Masters who were if occaisionally controversial, at least consistent in their approach to quality Tai Chi Chuan. It is this tradition, blended with my own previous experience and insight that I strive to pass on to my students. “I have personally experienced the health benefits of training in the internal arts of China, over the years I have witnessed similar benefits in many of my students; perhaps that is why I am somewhat evangelical about Tai Chi and Chi Kung.”

Keith has over 30 years experience in the Chinese Internal Arts, he is a lineage disciple in two traditions of Tai Chi Chuan. He studied under Grandmaster Chee Soo with the International Wu Shu Association for over 18 years, being awarded his masters degree in 1986 after 10 years of study including a broad syllabus embracing Qigong, massage, chinese wrestling and more. He also studieied under Peter Warr, one of Europes most respected Wu Shu officials, and since 1991 has been a student of Dan Docherty of practical Tai Chi Chuan International.  He has also studied a number of external systems


 

       My Masters my teachers

by Gloria Dean,

artist, author and teacher of Tai Chi Chuan

                       

My career as an artist has led me on many unexpected paths, including the restoration of valuable antique Chinoiserie furniture and works of art. Every day I would draw, apply, carve and gild tiny people who amongst their everyday activities, were practising their art of Tai Chi. I portrayed their beautiful flowing movements and purposeful stances with delight and I often thought how wonderful it would be to learn.

So sometime later galvanised by a brief, but fortuitous encounter with a student of Tai Chi, the little knowledge I had already acquired through my work and the fact that Tai Chi followed much of the philosophy that I already possessed in my life, I embarked on a new adventure in Tai Chi Chuan.

I wanted to find a master, a mentor. I was riding high school dressage up to that time, and I desired the inspiration that I had found in my riding master, Lord Henry Loch.

 I sought the advice of the Tai Chi Union of Great Britain, and the BCCMA, and although not my preferred way of learning, I went to a local class. I liked and was impressed with the senior students and watched their teacher, Keith,  perform with fluidity, beauty, focus and dynamism.

This I thought could be the one I am looking for, how could I have found him so easily.

Despite this I was soon eager to be out of the full-time class situation. I wished for private lessons, a personal and concentrated learning experience to work alongside it.

 My experience in horsemanship helped enormously with understanding the martial applications and the subtle control of the body. The graceful and devastatingly powerful movements performed in such places of excellence as the Spanish Riding School, are all derived from martial roots, and require the same attention to balance, smoothness, flexibility, responsiveness and elegance (equestrian tai chi). I rode with and learnt from one of the most talented teacher’s I had ever met ,he took me to an exalted level of achievement and understanding ( with still so much to learn ) in three years, before dying so very prematurely.  So I knew this was possible for me to achieve again in another art.

I have never under estimated work and effort, but when this is borne out of desire to reach a peak level in whatever one pursues, it is achievable and gratifying.

 Having taken time out from my class, for personal reasons at that time, I continued to practise, the modest standard of Tai Chi I had reached, every day with my young son. His ability to read, understand, retain information and inexhaustible enthusiasm enabled us to work together under our own impetus. His interest was such that I took him to the man I believed to be the Master we sought. He was! This proved to be a rewarding and intense experience for my son also.

 To watch Keith perform is inspiriting, his Tai Chi is beautiful but also purposeful and dynamic. Steadfast in his attention to perfect alignment, intention and detail. His depth of understanding, his generous ability to share and pass on his knowledge enriching.

It was only later that I became aware of the enormous health problems he had overcome (so little does he let them show).

 These would have stopped most in their tracks, but despite this, he keeps up his training, pursues his own studies, and luckily for those of us fortunate enough to learn from him, his teaching.

 As for me, I am still working (and now living) with my mentor in the art of Tai Chi Chuan and am currently studying the Tai Chi Sword form. This elegant and flowing form heightens my awareness and focus, with the sword ´moving like the calligrapher’s pen`.

My work grows, it opens my mind and inspiration for my painting comes more easily.

Art is an expression of the reaction of the spiritual self, to the encounters of everyday reality and sometimes more. In practicing my Tai Chi I get in touch with these emotions, experiencing them as physical manifestations which interfere with or sometimes improve my form. In seeking balance within I become more aware of my true self and it is this I attempt to express within my art and my life.

                          Gloria

To discover more about Gloria you can visit www.gloriadean.com

 ©Golden Rooster Media Penela 2008

 

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